Elvin Jones - Genesis (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81072}

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Elvin Jones rose to fame in the company of one of the greatest saxophone players ever – the mighty John Coltrane – and his post-Coltrane work like this really continues a keen respect for the role of the reeds in jazz – and really does a lot to push it forward as well! There's a compelling edge to the record that's light years from Elvin's work with Coltrane – a completely new sensibility that can be spacious one minute, extremely powerful the next – and quite possibly realized to its fullest potential here, thanks to the mindblowing contributions of Dave Liebman on tenor and soprano sax, Frank Foster on tenor and flute, and Joe Farrell on alto and soprano sax.

Elvin Jones - Puttin' It Together (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Proof that Elvin Jones wasn't just riding on the laurels of the Great One during his years with John Coltrane – as the album's a breakout date that has Jones firmly establishing his own voice in jazz! There's an explosive power here that makes us think that Elvin must have really just been biding his time with Coltrane – waiting for the chance to try out his own new ideas in music, and finding the perfect accompanists here in a trio that includes Jimmy Garrison on bass and a young Joe Farrell on tenor, soprano sax, and flute! The lack of a piano in the group really makes for a sense of new freedom that's totally great – not dreamy, melodic piano-less work, as in some of the LA groups of earlier years – but a searing, soaring intensity that Farrell was a perfect choice to head up.

Ornette Coleman - Love Call (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Ornette Coleman - Love Call (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 330 Mb | MP3 @320 -> 128 Mb

Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar | 24-bit 192 kHz remaster

© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81095

Jazz / Avant-Garde Jazz / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Bonus tracks. The other half of the New York Is Now session, which is, in a sense, ridiculous. Blue Note issued two records when they really had one. There were two dates, April 29 and May 7, 1968. Half the tunes from this volume and half from New York Is Now were recorded at each session. The CD versions contain all of the alternate takes and unreleased cuts of both days. Here, Coleman with Dewey Redman and the rhythm section of Elvin Jones and Jimmy Garrison work through Coleman's melodic conceptions and harmonic constructs on five numbers, with alternate takes making up two more.