Ornette Coleman - Love Call (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 330 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81095
Jazz / Avant-Garde Jazz / Saxophone
Features the
high-fidelity SHM-CD format (compatible with standard CD player) and 24
bit remastering. Bonus tracks. The other half of the New York Is Now
session, which is, in a sense, ridiculous. Blue Note issued two records
when they really had one. There were two dates, April 29 and May 7,
1968. Half the tunes from this volume and half from New York Is Now were
recorded at each session. The CD versions contain all of the alternate
takes and unreleased cuts of both days. Here, Coleman with Dewey Redman
and the rhythm section of Elvin Jones and Jimmy Garrison work through
Coleman's melodic conceptions and harmonic constructs on five numbers,
with alternate takes making up two more.
Coleman plays alto on four tunes and trumpet on three -- better than
violin. "Airborne" is the most successful thing here in that Coleman's
music matches the rhythm section's energy for the only time on the
session. Redman's tenor solo is one of the most bleating and emotionally
intense of his career, careening across microphonics as he flats fifths
and screeches through a series of arpeggios that cause Coleman to begin
his solo at 60 mph at the very top of a scale and cruise through six or
seven melodic variations on its theme before bringing it back down.
Meanwhile, Elvin barely breaks a sweat and Garrison creates such a taut
harmonic template for Coleman and Redman, they have to stretch. The
title track is perhaps Coleman's finest moment on the trumpet; he
spatters his notes in such a way that across the B-flat diminished nine
scalar invention, he picks up all the tonal qualities in the color
palette and chromatically orders them in such a way that it sets up
Redman with a prime opportunity to alter the melody of the tune one note
at a time. Also, the bluesy theme in "Check out Time," with its echoes
of Thelonious Monk's "Blue Monk," is a nice touch, but it should have
opened or closed the album.
Personnel:
Ornette Coleman - alto sax, trumpet
Dewey Redman - tenor sax
Jimmy Garrison - bass
Elvin Jones - drums
tracklist:
01 - Airborne
02 - Love Call
03 - Open To The Public
04 - Check Out Time
05 - Love Call (alt. take) (bonus track)
06 - Check Out Time (alt. take) (bonus track)
07 - Just For You (bonus track)
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