Showing posts with label Philly Joe Jones. Show all posts
Showing posts with label Philly Joe Jones. Show all posts

Saturday, 20 April 2019

Philly Joe Jones - Showcase (1959) {Riverside OJCCD-484-2 rel 1990}


This is a particularly interesting hard bop-oriented set led by drummer Philly Joe Jones. Most unusual is "Gwen," a Jones ballad that has the leader on both piano and (via overdubbing) drums in a trio with bassist Jimmy Garrison. Otherwise, trumpeter Blue Mitchell, trombonist Julian Priester, tenor saxophonist Bill Barron, baritone saxophonist Pepper Adams, either Dolo Coker or Sonny Clark on piano, Garrison, and Jones form a septet that performs modern tunes by Barron, Priester, and Jones, in addition to "I'll Never Be the Same" and Philly Joe's feature on "Gone" (based on the Miles Davis/Gil Evans interpretation of "Porgy and Bess"). A well-conceived, diverse, and recommended CD reissue.

Saturday, 24 January 2015

Chet Baker - Chet (1959) {2007 Riverside} [Keepnews Collection Complete Series] (Item #7)


Chet Baker - Chet (1959) {2007 Riverside} [Keepnews Collection Complete Series] (Item #7)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 264 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 600 dpi (png) -> 282 Mb | 5% repair rar | 24-bit remastering
© 2007 Concord / Riverside | 0888072301832
Jazz / Cool / Trumpet


Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. Few figures in jazz history have been able to extract as much feeling from a ballad as Chet Baker. Despite his lack of formal training, he was capable of burrowing deep inside the most sophisticated popular songs and tapping a vein of pure emotion.

Friday, 23 January 2015

Bill Evans - Everybody Digs Bill Evans (1958) {2007 Riverside} [Keepnews Collection Complete Series] (Item #6)


Bill Evans - Everybody Digs Bill Evans (1958) {2007 Riverside} [Keepnews Collection Complete Series] (Item #6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (png) -> 322 Mb | 5% repair rar | 24-bit remastering
© 2007 Concord / Riverside | 0888072301825
Jazz / Post Bop / Modal Music / Cool / Piano


Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley.

Friday, 2 January 2015

Ernie Henry - Last Chorus (1957) {Riverside-OJC} (ft. Lee Morgan)



Ernie Henry - Last Chorus (1957) {Riverside-OJC} (ft. Lee Morgan)

Jazz / Hard Bop / Saxophone

Ernie Henry was one of Riverside's earliest "discoveries." He recorded for the label, as a leader and as a sideman with Thelonious Monk and Kenny Dorham, for little more than a year before his sudden death at the end of 1957. The brilliant and unrealized promise of the young alto saxophonist, which was just beginning to be recognized (he was with Dizzy Gillespie's big band when he died), was dramatically exhibited on this final collection, one side of which is from an unfinished album featuring good friends and colleagues like Lee Morgan, Benny Golson, Wynton Kelly, Paul Chambers, and Philly Joe Jones.

Thursday, 1 January 2015

Sonny Rollins - Tenor Madness (1956) {2006 Prestige RVG Remasters Series}



Sonny Rollins - Tenor Madness (1956) {2006 Prestige RVG Remasters Series}

Jazz / Bop / Hard Bop / Saxophone

I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” — Rudy Van Gelder