Showing posts with label Philly Joe Jones. Show all posts
Showing posts with label Philly Joe Jones. Show all posts
Saturday, 20 April 2019
Philly Joe Jones - Showcase (1959) {Riverside OJCCD-484-2 rel 1990}
This is a particularly interesting hard bop-oriented set led by drummer Philly Joe Jones. Most unusual is "Gwen," a Jones ballad that has the leader on both piano and (via overdubbing) drums in a trio with bassist Jimmy Garrison. Otherwise, trumpeter Blue Mitchell, trombonist Julian Priester, tenor saxophonist Bill Barron, baritone saxophonist Pepper Adams, either Dolo Coker or Sonny Clark on piano, Garrison, and Jones form a septet that performs modern tunes by Barron, Priester, and Jones, in addition to "I'll Never Be the Same" and Philly Joe's feature on "Gone" (based on the Miles Davis/Gil Evans interpretation of "Porgy and Bess"). A well-conceived, diverse, and recommended CD reissue.
Saturday, 24 January 2015
Chet Baker - Chet (1959) {2007 Riverside} [Keepnews Collection Complete Series] (Item #7)
Chet Baker - Chet (1959) {2007 Riverside} [Keepnews Collection Complete Series] (Item #7)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 264 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 600 dpi (png) -> 282 Mb | 5% repair rar | 24-bit remastering
© 2007 Concord / Riverside | 0888072301832
Jazz / Cool / Trumpet
| Remastered in
24-bit from the original master tapes. Part of our Keepnews Collection,
which spotlights classic albums originally produced by the legendary
Orrin Keepnews. Few figures in jazz history have been able to extract as
much feeling from a ballad as Chet Baker. Despite his lack of formal
training, he was capable of burrowing deep inside the most sophisticated
popular songs and tapping a vein of pure emotion. |
Friday, 23 January 2015
Bill Evans - Everybody Digs Bill Evans (1958) {2007 Riverside} [Keepnews Collection Complete Series] (Item #6)
Bill Evans - Everybody Digs Bill Evans (1958) {2007 Riverside} [Keepnews Collection Complete Series] (Item #6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (png) -> 322 Mb | 5% repair rar | 24-bit remastering
© 2007 Concord / Riverside | 0888072301825
Jazz / Post Bop / Modal Music / Cool / Piano
| Remastered in
24-bit from the original master tapes. Part of our Keepnews Collection,
which spotlights classic albums originally produced by the legendary
Orrin Keepnews. The legend of Bill Evans really begins with this album,
his second. The pianist had just spent most of 1958 as part of one of
the major units in jazz history: the Miles Davis Sextet that also
featured John Coltrane and Cannonball Adderley. |
Friday, 2 January 2015
Ernie Henry - Last Chorus (1957) {Riverside-OJC} (ft. Lee Morgan)
Ernie Henry - Last Chorus (1957) {Riverside-OJC} (ft. Lee Morgan)
Jazz / Hard Bop / Saxophone
| Ernie Henry was
one of Riverside's earliest "discoveries." He recorded for the label,
as a leader and as a sideman with Thelonious Monk and Kenny Dorham, for
little more than a year before his sudden death at the end of 1957. The
brilliant and unrealized promise of the young alto saxophonist, which
was just beginning to be recognized (he was with Dizzy Gillespie's big
band when he died), was dramatically exhibited on this final collection,
one side of which is from an unfinished album featuring good friends
and colleagues like Lee Morgan, Benny Golson, Wynton Kelly, Paul
Chambers, and Philly Joe Jones. |
Thursday, 1 January 2015
Sonny Rollins - Tenor Madness (1956) {2006 Prestige RVG Remasters Series}
Sonny Rollins - Tenor Madness (1956) {2006 Prestige RVG Remasters Series}
Jazz / Bop / Hard Bop / Saxophone
| I was the
engineer on the recording sessions and I also made the masters for the
original LP issues of these albums. Since the advent of the CD, other
people have been making the masters. Mastering is the final step in the
process of creating the sound of the finished product. Now, thanks to
the folks at the Concord Music Group who have given me the opportunity
to remaster these albums, I can present my versions of the music on CD
using modern technology. I remember the sessions well, I remember how
the musicians wanted to sound, and I remember their reactions to the
playbacks. Today, I feel strongly that I am their messenger.” — Rudy Van
Gelder |
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