Keith Jarrett - Creation (2015) {ECM}
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© 2015 ECM Records | ECM 2450
Jazz / Avant-Garde Jazz / Straight-Ahead Jazz / Solo Piano
ECM celebrates
the occasion of pianist Keith Jarrett's 70th birthday with two
simultaneous releases. One is a classical date for its New Series on
which he performs piano concertos by Béla Bartók and Samuel Barber with
two different orchestras. The other is Creation, a solo piano offering.
While Jarrett has made dozens of solo records, this is unlike any in his
catalog. Rather than document the unfolding of his in-the-moment ideas
through a single performance, this set features nine sections compiled
from half-a-dozen performances in four cities and five venues (all
notated in the sleeve) during 2014.
They have been sequenced and produced by Jarrett as a new, episodic,
single work. The brief silences between the sections don't mar the flow;
instead, they reveal, time and again, a vast dynamic range, where the
moment of inspiration meets the precise moment of articulation in
improvisation. The opening section is offered with a nearly formal
modern classical schema. It is alternately brooding, impressionistic,
and processional, and expression evolves chord to chord with very little
solo coloration from the right hand. "Part II" begins as an extension
(almost), commencing along classical lines, but its texture is lighter,
almost a reverie, as Jarrett explores the instrument's middle and upper
registers in two-handed interplay. This eventually gives way nearly
eight minutes later to a balladic, jazz-like exposition in "Part III."
Even though these pieces all stand memorably on their own, they serve as
a collective introduction to the rest of the recording. From "Part IV"
through "Part VI," Jarrett travels through songlike figures that embrace
early Americana themes, rural gospel and folk forms, and
impressionistic classical frames, each one evolving so naturally from
its predecessors that his flood of ideas -- even within pieces --
becomes a holistic, inherent expression of the heart of lyricism itself.
"Part VIII" contains more elliptical exposition as its initial
tonalities inform and instruct as points of entry to a more veiled
inquiry. The concluding "Part IX" commences almost as a lullaby before
building to a lushly constructed harmonic apex and crescendo. Suddenly,
and seemingly magically, it unmakes itself to dissolve into silence with
a hushed single note. Creation represents a new type of solo recording
for Jarrett. It is a crystalline distillation of his musical essences
brought to fruition segment by segment, each brimming with his requisite
elegance and taste. Creation is not only notable for its beauty, but
for its vulnerability. It is one of the most revealing volumes in his
catalog.
Personnel: Keith Jarrett - piano
tracklist:
01 - Part I
02 - Part II
03 - Part III
04 - Part IV
05 - Part V
06 - Part VI
07 - Part VII
08 - Part VIII
09 - Part IX
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