David Bowie - Nothing Has Changed (2014) [3CD Deluxe Edition] {Parlophone Records}
Rock / Art Rock / Contemporary Pop / Glam Rock / Alternative / Dance-Rock / Experimental Rock / Blue-Eyed Soul
Nothing Has
Changed is a bit of a cheeky title for a career retrospective from an
artist who is known as a chameleon, and this triple-disc compilation has
other tricks up its sleeve. Chief among these is sequencing the
SuperDeluxe 59-track set in reverse chronological order, so it opens
with the brand-new, jazz-inflected "Sue (Or in a Season of Crime)" and
concludes with David Bowie's debut single, "Liza Jane." On paper, this
seems a bit like a stunt, but in actuality it's a sly way to revisit and
recontextualize a career that has been compiled many, many times
before.
Previously, there have been single discs, double discs, and triple-disc
boxes, but the largest of these was Sound + Vision, a box released in
1989, and the most recent was 2002's The Best of Bowie, which featured
slightly different track listings in different territories but generally
stopped in the late '90s. The two-CD version of Nothing Has Changed
resembles this 2002 set -- there are absences, notably "John, I'm Only
Dancing," "Diamond Dogs," and "TVC15," but they're not noticed among the
parade of standards -- but it's easily overshadowed by the triple-disc
SuperDeluxe set.
This version of Nothing Has Changed touches upon nearly every phrase of
Bowie's career, bypassing Tin Machine but finding space for early
pre-"Space Oddity" singles that often don't make Bowie's comps, and
naturally it samples from his fine Y2K records, plus his 2013 comeback
The Next Day. This expansiveness alone would be noteworthy, but when
it's combined with the reverse sequencing the compilation forces
listeners to reconsider an artist whose legacy seemed so set in stone it
appropriately was enshrined in museums. Obvious high-water marks are
undersold -- there's not as much Ziggy as usual, nor as much Berlin --
so other eras can also enter the canon, whether it's the assured
maturity of the new millennium or the appealing juvenilia of the '60s.
The end result is something unexpected: a compilation that makes us hear
an artist we know well in a whole new way. [Nothing Has Changed was
also released with a bonus disc.]
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